anthoy lister :: essays research papers

bedevil Galleries (103 Brunswick Street, Fortitude Valley) has opened the doors on it newest exhibition, Anthony Lister subtitled. The showcase displays Anthony Listers unique brand of street art. His works bath be expound as anywhere from abstract to pop, to graffiti. The style is truly free-form and none confined. legion(predicate) mediums were used to create his art but he elatems favor place it all on canvas. When Lister paints he tells a story tight whatever kind of environment hes in at the moment. The layout of the exhibition itself is rather structured and organized. I think simple and square(a) was the aim here. I have chosen three painting to closely analyze Portrait of Egon Schiele, Discard the Retard and Paddington from Pratts.When compared to his mentor, Max Gimblett the two typical styles would probably be as far as each early(a) as possible. Max prefers his paintings to be on irregular canvases and his work can range from patterns to abstract, yet dont ha ve the slight topsy-turvyness of Listers. Predominant throughout the three mentioned works you can see the use of repetition, restriction of colour, emphasis and line. His particular style seems free, spontaneous and sees no real confinement. The general restriction of colour make anything not in bland almost scream off the canvas and creates a very effective focal point.Anthony has said himself Im not arduous to wobble the world, Im just reacting to the world trying to change me. That would perfectly describe Listers motivation to paint and create. Whether its a social statement or purely something for himself he has created something that pack can enjoy. Again Lister stated he normally chooses his base matter by simply finding something within his immediate environment. either deeper meanings one might find would probably be purely speculation, but the interesting composition in Discard the Retard where the constant stencil of a duck pattern has been used and a single stand- out of the multitude duck can be seen (solid subdued rather than just black outlining).